Remembering Japanese cars from the past
This year there were six hachis on the paddock! It has been doubled within only one year!
First of all Ibrahims hachi was part of the group I joined:
Next to his hachi is a yellow hachi on Victorian plates. Bozu lived in Australia for a few years and decided to ship his hachi to the Netherlands. AFAIK it has Dutch plates, but these plates were one of the coolest you can get!
His zenki hachi is in an excellent shape: Continue reading
I have been searching on the interwebs since last sunday and patiently waiting for any photo of the best yearly meeting ever: Hachi Rock Festa!
The first photos arrived this morning when Chillin and Hachiroku posted up his trip to this meeting.
As you can see from the length of the line of AE86s he wasn’t the only one attending: Continue reading
Just received new stock of the AE86 OEM sticker reproductions we sell through the AEU86 shop
I know it is a shameless plug for the webshop, but it serves a greater goal I guess. ;)
Since I was on holiday for the past four weeks I totally missed hachi-roku-day! :(
Lucky enough I already saw some great stuff in the past days like the 48km Corolla GT on Speedhunters. I also saw this video by JRotaro on Youtube of lots of hachis having fun at the Fuji drift course next to the Fuji Speedway:
Now this is something you definitely don’t want to miss! ;)
Now these lovely love-sounds are just music in my ears!
The clip was made by Mouwt in a Corolla Levin AE86 with the use of on a set of Hayashi Streets (and SSR Mk1 rims) and a Janspeed exhaust.
Half a year ago I already featured another Suzumebachi attack! post, also with videos by JRotaro and ae86lan. Difference is that this time they have been shot from the inside of one of the hachis:
At first only two hachis make their drifts on the Mount Fuji drift course (next to the Fuji International Speedway) but slowly more and more hachis join in.
Here is another video with 10 minutes of those suzumebachi hornets going sideways: Continue reading
© 2024 Banpei.net
Theme by Anders Noren — Up ↑
